Before Portland Decides to Rain

Every Saturday at seven-fifteen, before the Portland rain has fully decided itself, I pull the rabbit from the drawer and begin the same way — left side first, then the internal arm, the duvet over my head because the grey light and the sound of the gutters is part of it now — I am not proud of how precisely I need this ritual, only grateful it still works.

Mild

The Drawer, the Rain

492 words · 3 min read

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The gutters start before I am fully awake — that specific sound, the one that means the rain has committed, the one that means it is Saturday.

I do not check the clock. I know what time it is the way I know my own name.

The duvet is already over my head. I pulled it there sometime in the night, or maybe I never let it go. Under here the light is the colour of old linen and the rain is muffled to something almost musical, the irregular percussion of it filling the gutter, running, pausing, filling again. I have been listening to this sound every Saturday for long enough that my body has learned to read it. The sound arrives and something in my lower stomach answers, a slow unwinding, a loosening I did not decide to allow.

I am not proud of how precisely I need this.

The sleep shirt has ridden up in the night and the hem sits across the tops of my thighs. The cotton is thin, washed to nothing, and where it presses against my skin it holds the warmth I have been generating for hours without knowing it. I am aware of that warmth now. I have been aware of it for several minutes, which is how I know the ritual has already begun even though I have not moved.

The drawer is on the left side. It always is. I do not have to reach far.

I open it without looking. My right hand stays flat against the mattress, palm down, grounded there the way I have learned to ground it. My left hand finds the shape in the dark of the drawer by feel — the familiar weight of it, the specific cool of the silicone before it warms. I set it beside me on the sheet without turning my head. The rain fills the pause.

I lie still for a moment longer than I need to.

This is the part I would not be able to explain — the deliberate waiting, the moment before the moment, the way I have learned that the wanting is its own thing and I do not have to rush it. My stomach contracts once, a small involuntary tightening, and I let the exhale that follows come out at whatever length it chooses. It comes out longer than the breath that preceded it. It unfolds into the warm dark under the duvet and I feel my thighs, which have been pressed together, register the shift in my breathing.

They are still together. They are still closed.

But my left hand has already closed around the rabbit and the silicone has already begun to warm and the gutters are running full and steady now, that particular Saturday sound, the one my body has learned to answer.

I am not grateful for the need. I am only grateful it still works.

I let my knees begin to part.

Hot

Seven-Fifteen Without Exception

525 words · 3 min read

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The knees part and the rabbit is already warm from my hand.

I set it against the outside of my underwear first. I always do. The cotton between the silicone and my skin is thin enough that it barely qualifies as a barrier — I can feel the specific shape of the external arm, the slight asymmetry of it, the way it sits exactly where it has sat every Saturday for longer than I want to count. I press it there and hold it still. Not turning it on yet. Not yet.

Mid-scene teaser

I know exactly when I will feel the catch of it, the shift, and I feel it now, and my hips lift without my asking them to. One inch, no more, up from the mattress and then back down, the body making its case. I move to the second setting.

Spicy

Both Arms, Every Time

492 words · 3 min read

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My thumb moves to the third setting and stays there.

The sound the rabbit makes at three is different — fuller, a low insistence I feel in my back teeth — and my hips lift before I have decided anything, the body already past the point of consulting me. The internal arm shifts with the movement and I feel the depth of it change, the specific pressure of the curved tip finding the place it always finds, and the sound that comes out of my mouth is not a word. It is not anything I would claim.

Mid-scene teaser

Ragged. Long. I turn the rabbit off.

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