First Time With the Light On

Twenty-eight years old and I've kept the lights off every single time — tonight in the LA bungalow I turn on the bedside lamp and look down at my own hand, actually look, and I understand for the first time that I've been learning this in the dark and now I want to see what I've been doing, and I bring my fingers to my lips after, tasting something I should have known years ago.

Mild

The Light, Finally On

541 words · 3 min read

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I reached for the lamp the way I reach for things I'm not sure I'm allowed to have quickly, before I could think about it. The click was small. The light was not.

I am twenty-eight years old and I have never done this with the light on.

The room looked the same as it always does. The bungalow's one window, the fig tree outside pressing its leaves against the glass, the low ceiling that makes the space feel held. But the lamp changed the quality of everything turned the room from a place I disappear into to a place I am visible inside of. I sat with that for a moment. My own hands in my lap, lit.

I've been doing this since I was seventeen. Eleven years of learning something in complete darkness, by feel alone, the way you'd learn a room during a power outage. You get good at it. You develop a map. But a map made in the dark has no picture attached to it, and I realized tonight, sitting here on top of the covers in the cotton underwear I've had so long it's gone thin as a second skin, that I had never actually seen what my hands do.

The fabric is so soft it registers temperature more than texture. I was already warm. That warmth was already there before I reached for the lamp, pooled in the cotton, held against me, patient.

I looked down at my right hand. Just looked at it. The specific architecture of it the knuckle creases, the way the palm curves slightly inward when it rests. I have looked at this hand ten thousand times. I have never looked at it the way I looked at it tonight, knowing what I was about to ask it to do, in full light, with my own eyes open.

My stomach contracted. A small, involuntary thing, like a flinch that didn't complete itself.

I set my left hand flat on the mattress beside me. An anchor. The sheets were cool under my palm, and I pressed down slightly, feeling the give of them, while my right hand stayed still in my lap and I breathed one breath in, and then the exhale came out longer than I'd put it in, longer than I'd meant it to, unfolding into the lit room like an admission.

My knees were together. The cotton lay flat across both thighs, warm where I was warm beneath it.

I kept looking at my hand.

The lamp held steady. It doesn't flicker it's one of those small ceramic ones, the kind that gives off a circle of amber that stops at the edges of the bed. I am inside that circle. Everything I am about to do is inside that circle.

My right hand lifted. Barely. An inch off my thigh, then resting back down the slight additional pressure of it landing, the warmth of my own palm through the thin cotton, and I understood that the dark had been a kind of permission I'd been giving myself, and that the light was a different kind.

I let my knees part, just slightly. The fabric shifted with them.

The lamp stayed on.

Hot

Twenty-Eight and Seeing

541 words · 3 min read

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My knees were already parted. The fabric had shifted with them, and I was looking down at my right hand the way you look at a word you've written and suddenly can't read.

I moved it. Not slowly not performing slowness. Just moved it, the way I have ten thousand times in the dark, except this time I watched my own fingers trace the thin cotton and felt the watching as a second sensation, separate from the touch itself and almost as sharp.

Mid-scene teaser

Two fingers now. Pressing in rather than circling, the heel of my hand settling against the fabric, and the sound that came out of me this time was lower — not a sigh, something with more weight to it, something I pressed my lips together to contain and felt come through the seal anyway. The lamp held its circle.

Spicy

Tastes What She Should Have Known

629 words · 3 min read

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I pushed the cotton aside.

Not slowly. Not performing anything. Just moved it out of the way the way you move something you are done working around, and then my hand was there, bare skin to bare skin, and I made a sound that the room absorbed without comment.

Mid-scene teaser

Four seconds. Five. My hand pressing in, unmoving, the grip pulsing around my fingers, my mouth still open, jaw still loose.

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