Eight Minutes, Shirt Still On

I have eight minutes before my flatmate's alarm goes off next door — the bullet is already buzzing against the inside of my thigh, my work shirt half-buttoned, one knee hooked over the edge of the bed because I am not wasting this window.

Mild

Eight Minutes Before the House Wakes

536 words · 3 min read

SlowNormalFast

Through the wall, I can feel it more than hear it her alarm clock, already counting, already patient in a way I am not. Eight minutes. Maybe seven now. I have stopped looking at my phone.

The grey light through the curtain is the specific grey of Bengaluru in June before the rain decides to arrive flat, close, the air already thick at six-forty in the morning. I am sitting half-upright against the headboard with my work shirt open from the third button down, and the cotton is sticking faintly at the small of my back, and none of that matters because the bullet is already running. I pressed it on before I fully decided to. That is the honest version.

It sits against the inside of my left thigh, held there by the fabric pulled taut where my knee is hooked over the edge of the mattress. That angle the knee out, the hip open just enough was a decision I made without calling it one. My right leg is still straight. My right hand is flat on the sheet beside me, fingers closed.

My left hand holds the small remote, and I have not moved the setting from the lowest because I am trying to be strategic about this, because I am a person who is strategic, because I have seven minutes and I am not wasting a single one of them on being reckless too soon. The buzz transfers through the fabric and I feel it in the crease where my thigh meets my hip before I feel it anywhere else a peripheral shimmer, arriving before I give it permission. I breathe in. The exhale takes longer than I mean it to, unfolding slowly into the close morning air, and I stop it before it becomes a sound.

The wall is thin. I know exactly how thin because I have heard her on the phone, have heard the particular way she laughs at something before she realises how loud she is. She does not know the same things about me. I intend to keep it that way.

My shirt collar is still buttoned. I am aware of this in the way you become aware of something unnecessary the formality of it, the suggestion that part of me is still dressed for an office that does not open for two hours. Below the third button: nothing resolved. The shirt hangs.

The fabric at my hip is light enough that the warmth coming off my own skin has already moved through it. I have been warm since I woke up. The warmth was there before the bullet. I am being precise about this because it matters the bullet found something already waiting.

Through the wall, a small sound. She is turning over. Not waking, just shifting. The clock is still counting.

My left knee stays where it is, the cotton pulled tight across the inside of my thigh, the buzz sitting exactly where I left it. I move the remote one setting up. The sound I make is less than a sound it cuts off somewhere below my throat, held there, kept. My knee does not move.

Hot

The Clock Is Running and So Am I

503 words · 3 min read

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One setting up and the shimmer becomes a current specific now, directional, not the vague warmth of before but something with an address. I keep my knee exactly where it is. The cotton holds the bullet where I need it, pulled taut, the fabric thin enough that the vibration moves through it without apology. This is the thing I figured out three weeks ago and have not forgotten: the angle matters more than the setting. Knee out. Hip tilted. The geometry of it is the work, and I did the work before I was fully awake, and that is its own kind of efficiency. My right hand is still flat on the...

Mid-scene teaser

I am cataloguing this as it happens: the specific pressure of the fabric holding the bullet in place, the way the vibration now travels upward rather than outward, the fact that my shirt has fallen open to the second button without my touching it. I look like something. I am aware I look like something.

Spicy

Bullet on My Thigh, Shirt Still Half-Done

500 words · 3 min read

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One minute. Maybe less. I move the bullet to where I need it through the fabric, pressing it directly against the centre of myself and the sound I make is short and bitten and goes nowhere. My teeth are closed. My lips are closed. The wall is the wall. The highest setting arrives like a fact. Not a surprise I have been building toward this the way you build toward a deadline, each step accounted for, each breath measured. But the feeling at full power is not measured. It is the bullet against the exact place that undoes me, the fabric pulled so tight by the hooked knee that there is...

Mid-scene teaser

My body grips — I feel the contraction from the inside, the pulse of it, the bullet registering every pulse back at me in a loop that has no clean exit. My hips have stopped moving. Everything has stopped moving.

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